| RED MARS (Continue)
GALLAGHER
Maybe there was never anything in this valley.
As they walk, Burchenal checks his HCC.
BURCHENAL
If we are where we think we are -
Map appears on a small screen, he mutters to it, overlays of all
the algae and lichen that were on Mars appear.
BURCHENAL
This valley was covered with blue algae a month ago. Valley back
one should have been covered in an orange-red chloroflectic. He's
right. It's weird. There should be something.
They crest a small rise. Below lies a valley that closes down quickly
into an extremely narrow canyon. Burchenal and Santen check their
HHC maps.
BURCHENAL
This, however, makes sense.
SANTEN
Debris apron. Delineated valley fill. Depositional fan...
He double-checks with Chantilas. Seems they're going the right way.
Chantilas leans back heavily against a rock.
CHANTILAS
Good. You gotta keep moving...
Chantilas doesn't get up.
GALLAGHER
And what're you gonna do, sit here and watch? You getting old and
lazy?
CHANTILAS
My spleen's ruptured. There's significant internal bleeding. I'm
not going any further. And trying to carry me will slow you down
just enough that we can all die.
Robby's stunned, frantic.
GALLAGHER
We'll get you to the Hab. Lock out the spine impulse and you can
walk one of us through it.
CHANTILAS
No. You won't.
Santen takes charge. It's his mission now.
SANTEN
We build a litter. We take him.
CHANTILAS
(stern)
Chain of command once we hit the surface starts with me. And I'm
ordering you to go, Lieutenant. Now.
(turns to Robby)
I've only got about forty minutes. There's really not much pain.
Put me around the corner where I've got a view.
They lift him to the other side of the rock. Gallagher stays with
Chantilas a moment. Stricken, speechless. Inside Gallagher's helmet,
we can see as the tears roll down. Then -
CHANTILAS
It's okay. I'm not sorry I came.
Gallagher takes one last look over his shoulder. We are already
PULLING BACK, BACK, BACK. Tiny figures in the landscape once again.
One left behind.
INT. MISSION CONTROL - DAY
Tense. Flight Director Russert watches as Skavlem mutters into the
mike.
SKAVLEM
Ares, this Houston, do you read? Ares, this Houston, do you read?
Skavlem continues in the b.g. as -
LOWENTHAL
What do you want to do?
RUSSERT
Get every dish in the Deep Space Network pointed at Mars.
(doesn't like it, but)
Declare a spacecraft emergency.
EXT. MARS SURFACE - DAY
Chantilas has toppled over. Unmoving. We GO WIDE, WIDE, WIDE and...
EXT. HILLSIDE (MARS) - DAY
The four of them trudge up a long hill. The summit is a dozen steps
away. Santen is the first to reach it. He looks out over the horizon.
Turns back to the others -
SANTEN
You're gonna like this.
HIS POV
We see what he sees, as do the others as they arrive - not that
far in the distance, in the valley below, they can see the lab shining
in the sun.
BACK TO SCENE
BURCHENAL
Twenty-six months of food, water and air, gentlemen.
PETTENGILL
We're saved...
They run down the hillside. For the first time we get a feeling
for the .38 gravity. Bouncing sixteen foot steps. Like little kids
as they come bounding down.
EXT. VALLEY FLOOR (MARS) - DAY
They keep running and leaping and coming. Until the first one begins
to slow. It's not from exhaustion. And then the second and the third.
It's from horror.
The Hab is in tatters. Roof is gone, walls are gone. Nothing but
the titanium ribs remain. They approach. The insides are not much
better. It's destroyed. There's no food. There's no water. There's
no air.
EXT. MARS - HAB - DAY
They search. The news doesn't improve.
SANTEN
What the fuck happened here?
PETTENGILL
Jesus...
Burchenal continues to look around for a moment. It doesn't matter
what happened. It's over. Shakes his head at Gallagher.
BURCHENAL
How's your air?
GALLAGHER
(checks)
Twenty-two minutes.
BURCHENAL
I'm not much better.
SANTEN
What the fuck...
He kicks angrily at what's left of the structure. Storms off. It
takes Pettengill a moment to process it, but...
PETTENGILL
We're all gonna die, aren't we?
INT. ARES - MAINTENANCE LEVEL - NIGHT
Pitch black except for the electroluminescent panels she's stuck
around the room. She cracks another one on. They work like glowsticks,
but the size of menus.
She's jumpered the circuits. Multimeters Velcroed all over the place.
Trying to reboot the entire ship. Checks her loads, balances one
more jumper, throws a breaker. The SHIP GROANS, FLICKERS TO LIFE,
DIES. She checks a meter, changes a jumper, tries again. This time
the SHIP GROANS, FLICKERS TO LIFE and STAYS ON-line. The systems
begin to come alive around her. Panels light up, turn from red to
green. Lights start to come on. Gravity returns.
INT. ARES - VARIOUS SPHERES - NIGHT
Bowman moves through. The place is a mess. Soot and fire stains
in some spheres. Smoke damage in all. Flowers destroyed. The garden
is half-wrecked. She manually opens a set of valves in one room.
AIR HISSES in from an emergency supply. She checks a meter in her
hand, checks again to be sure. Folds back the helmet of her suit.
Breathes.
INT. ARES - FLIGHT DECK - NIGHT
Bowman tries to bring the rest of the ship back to life. Half a
dozen systems are just plain dead and have to be locked out. Things
are not good. Light's beginning to come up. Moments away from entering
front-side orbit. Kate opens a panel marked OBS and throws a series
of switches.
EXT. ARES - NIGHT
Door slides open. A small optical receiver is seen. They clear the
dark side and burst into the light.
INT. ARES - FLIGHT DECK - NIGHT
On a large viewscreen, Bowman can now scan the surface to about
a one meter resolution. Searches. Starts wide, scanning the edge
of the horizon as it comes into view.
Picks up the glint of the MEV. Zooms in. At first there's nothing
but the crashed MEV in profile. (Like a spy satellite, we are an
an EXTREME ANGLE, SLOWLY REVEALING more as the Ares grows less oblique
and tracks overhead.)
Then the severity of the damage comes clear. Bowman tries not to
react. Nothing else is there. No sign of activity or escape. The
footprints are beyond the resolution of the camera. There's no reason
to believe anything but they're all dead.
EXT. HAB & ENVIRONS (MARS) - DAY
Gallagher and Burchenal sit on rocks nearby. Not exerting themselves.
Checking their monitors.
BURCHENAL
Maybe we got what we deserved. We ignored science and truth on
one planet and poisoned it beyond repair. Then tried to get science
to save us on another. Maybe it's the inconsistency that did us
in.
Burchenal points at a depression a few hundred yards away.
BURCHENAL
(then; points)
That's what they call the datum. Sea level. If there was a sea.
Or when there was a sea, that's where it was. You can tell 'cause
the sand was created by what's called the fluvial process where
water breaks rocks into smaller and smaller pieces. We're the first
men on Mars. Even if it isn't gonna last long.
(then)
Would you rather I shut up so you can die quietly?
GALLAGHER
Nah, you can keep talking. It's kinda peaceful.
In the b.g., headed towards a ridge of rocks, we can see a lone
figure making its way along.
It's Pettengill. He steps around the ridge. We can hear his RADIO
WHOOOSH TO STATIC as he loses line of sight communication with the
others.
Up ahead of him, standing on the edge of an enormous drop-off, just
staring out into space, is Santen. His back is to us. Pettengill
walks towards him. Santen still doesn't hear.
Santen's radio is off. BEETHOVEN BLARES in his helmet. A 3000 foot
drop at his feet. It is magnificent. As Pettengill approaches and
Santen remains unaware, the scene seems less and less innocuous.
We fear for him. Until...
Pettengill just walks right up beside him and stares out at the
chasm as well. Santen LOWERS his MUSIC. They stand there silently
for a moment. Santen has some kind of weak-ass epiphany...
SANTEN
Look, I'm sorry. I owe you an apology. I've been a dick. I pick
on people who are weaker than I am.
It's way too little, way too late. But Pettengill doesn't let on.
Just nods. As if he's forgiven him. Steps away and OUT OF FRAME.
We HOLD ON Santen a moment and...Pettengill has picked up what would
be a 250-pound rock back on Earth and is heaving it with all his
might into Santen from behind. It slams into him, bending him in
half, knocking his feet out from under him.
For half-a-moment we think Santen might regain his footing. But
he doesn't. He starts to fall past the edge of the cliff. Slowly.
In .38 grav SLOW MOTION. Flailing. Twisting in the air. As he falls,
looking up, he slaps OFF the MUSIC, the RADIO COMES BACK ON. Pettengill
leans over the edge.
PETTENGILL
Fuck you. Fuck you. I'm gonna die. But I'm gonna spend the next
five minutes of my life completely satisfied knowing I killed you.
SANTEN
No, you won't, because...
Pettengill shakes his head and steps back out of the line of sight.
Santen's last taunt turns to STATIC.
PETTENGILL
Yes, I will.
He turns and walks away.
EXT. MARS - HAB - DAY
Pettengill returns to the others. He can hear over the RADIO as
he approaches -
BURCHENAL
Johannes Kepler was the first to accurately map the orbit of the
planet. In 1609.
PETTENGILL
Santen's dead.
They turn. But not surprised. They just figure he -
BURCHENAL
Chewed through his air...
PETTENGILL
He threw himself off the cliff.
GALLAGHER
Ouch.
Burchenal bows his head down for a moment, overcome. But it's not
Santen. It's the bigger picture...
BURCHENAL
It's not often you get to fail when 12 billion people are counting
on you.
Gallagher's got more pressing problems. Checks his wrist. unnerved.
GALLAGHER
I'm at under a minute here. You guys know what this is gonna be
like?
BURCHENAL
Hypoxia? Dizzy. Skin'll tingle. Vision narrows. Then anoxia. Shock,
convulsions, acidosis.
GALLAGHER
Gonna hurt?
PETTENGILL
Yeah.
A WARNING TONE GOES OFF on Gallagher's SENSOR. He starts to gasp.
Opens his mouth wide. Sucking in and out air that's worth less and
less to his body.
He begins to claw at the air. It's not pretty to watch. Spins about
seeking some release. None forthcoming. Claws some more. Falls to
his knees. The others can barely watch. They know they're next.
Gallagher's growing more claustrophobic and crazed. Falls the rest
of the way to the ground. Still clawing at the air. It's horrible
to see. And in one last desperate, angry, trapped-feeling move,
reaches up and unhooks the front of his helmet and throws it back.
Croaks out a faint epitaph as he collapses.
GALLAGHER
Fuck this planet.
And he's still. Still. And then in a last reflexive shudder. Gasps.
Gasps again. Takes in the worthless Mars atmosphere. And right when
we think it's entirely over...Takes in some more. Breathes again.
And again. Opens his eyes.
GALLAGHER
I'm not dead.
The other two are watching in amazement.
GALLAGHER
I'm not dead. It's like being at high altitude. There's not much
air here. But...
Takes him a minute to catch his breath, but...
GALLAGHER
We're not gonna die.
Burchenal's suit ALARM GOES OFF. He doesn't screw with gasping in
the suit. Just opens the damn thing up and prays. Breathes. Raggedly.
BURCHENAL
It ain't much. But it'll do.
He looks around, puzzled.
BURCHENAL
What the hell's going on here??
Pettengill's ALARM GOES OFF as well. Much more tentatively he removes
his helmet. Breathes. He's not really rejoicing like the others.
PETTENGILL
I thought we'd be dead.
The enormity of what he's done strikes him.
PETTENGILL
I thought we'd be dead.
They all breathe the thin Martian air for a moment.
GALLAGHER
God, if Santen had only waited five more minutes. What a waste...
OFF Pettengill's completely unsettled face...
INT. ARES - FLIGHT DECK
STATIC on the comm clears. A brief caesura then -
BOWMAN
Copy.
SKAVLEM (V.O.)
Roger, Ares. Good to hear from you. We believe you may have suffered
a proton field upset. What is your status?
Silence. Silence. Bowman struggles to maintain control. Tear runs
down. Takes a deep breath.
BOWMAN
MEV launched. Radio contact zero. Visual shows crash site, one
body, no motion. Believe entire crew to be End of Mission. Ares
systems check at below 70 percent. Telemetry to follow.
She punches a button. Starts to upload it to them.
BOWMAN
Air purge in fire control degraded orbital path. Current orbit
unstable. Thirty-two hour projected failure. Do you copy, Houston?
INT. MISSION CONTROL - DAY
The telemetry has come in. Russert puts it up on the common viewscreen.
Ship status and all the failures are displayed. It's a disaster.
SKAVLEM
Roger. We copy that.
He lets go of the mike. Can't help himself.
SKAVLEM
Jesus fucking God.
FLASHBACK - INT. ARES - ACCESS TUBE - NIGHT
SUPERIMPOSE: MISSION TIME DAY 15
Dark. Someone moves along. And emerges into -
INT. ARES - OBSERVATION SPHERE - NIGHT
An icosahedronal slice has been removed from one side and replaced
with optical glass. A billion stars are brighter and more numerous
than you've ever imagined. Gallagher comes in, bumps smack into
Chantilas. Thought he was alone.
GALLAGHER
Sorry
CHANTILAS
Lotsa room.
They lean back against the "floor" for a moment and stare
out at a billion and a half stars.
CHANTILAS
Know the stars at all?
GALLAGHER
(pointing)
Andromeda, Cassiopeia, Cetus, Lepus, Canis Minor. We're looking
at what you'd see south around midnight, mid-May if we were on Earth.
At about 42 degrees.
He's not showing off. He just really does know. Chantilas looks
at him, surprised.
GALLAGHER
My grandfather taught me to sail when I was a kid.
(fondly)
He made me learn the stars in case all the G.P.S. satellites fell
out of the sky at once. He said anyone who put his life in the hands
of anything run by batteries was a jackass.
CHANTILAS
He sounds like quite a guy.
GALLAGHER
He didn't like what he called the easy answer or the quick fix.
He didn't want to own anything he couldn't repair himself.
(thinking back)
And, oh yeah, everything automatic sooner or later fails automatically,
usually during or immediately before a crisis. He had a lotta damn
sayings.
(then)
He wouldn't've approved of this.
CHANTILAS
Going to Mars?
GALLAGHER
No. That we killed off half the living things on Earth. That after
we all but destroyed one planet with global warming, we're trying
to bring another to life the same way. Kinda tricky, don't you think?
He woulda said we were asking for trouble.
CHANTILAS
It looks like we got trouble. That's why they sent us.
A beat. They go back to staring at the heavens. Then -
GALLAGHER
I don't really get it. You quit being a scientist? You went back
to school to study God??
CHANTILAS
I just realized science couldn't answer any of the really interesting
questions.
(off Robby's look)
There are values that are fundamental to an adequate apprehension
of the world in which we live that can't be expressed by equations
or experiments. In that, you see the hand of God.
(explaining)
Acknowledgment of basic values. Love, kindness, joy. Science doesn't
have much use for these. Look, ugly theories are wrong. We know
it by insight. Science doesn't want to accept that. We live in a
moral world and have moral knowledge that tells us that love and
truth are better than hatred and lies. But it's modern to think
this is little more than genetic imprinting or a tacit communal
cultural agreement. That's not a world I cared to live in anymore.
Robby stares back into the void. This is not the kind of conversation
he's used to, but -
GALLAGHER
I asked my grandfather once if God existed. He played me Brahms'
Third. Then he asked me what good it was? Or was it just vibration.
CHANTILAS
(following)
What good is beauty?
GALLAGHER
He said if a man could listen to Brahms and not believe in God,
he was a fool.
CHANTILAS
I think I woulda liked your grandfather.
Robby turns to him.
GALLAGHER
You didn't come on this trip because of science at all, did you?
That's why they let you come, but you're going to Mars to prove
to yourself God exists.
Yup.
CHANTILAS
Maybe I'll pick up a rock and it'll say so on the bottom 'Made
by God.'
GALLAGHER
Maybe God's more subtle than you are.
(then)
You think we're doing something we shouldn't, Bud, messing with
another planet?
CHANTILAS
(unconcerned)
If so, it's because we're supposed to find something out. (then)
Let's say we didn't. And we finished poisoning off the Earth and
everyone was dead in a hundred years. Then what was the point of
any of it? Music, art, beauty, love? All gone. The Greeks, the Romans,
the Enlightenment, the Constitution, people dying for freedom, ideas?
None of that meant anything? I'd rather go out and make a mistake
than live in a world that bleak.
GALLAGHER
No one said jack to me about the Greeks and Romans. Shit, I just
came along to fix stuff.
CHANTILAS
Fooled ya, didn't we. It's okay. No one told the others either.
There's a quiet moment. Robby just came up to stare at the stars.
Wasn't expecting all this. Then -
CHANTILAS
There's a reason the planets go around the stars in exactly the
same way electrons go around the nucleus of the atom. It's not an
accident. There's a design at the bottom of all this. God's watching
over you.
GALLAGHER
I just wish I didn't think he was chuckling.
END OF FLASHBACK.
EXT. HAB (MARS) - DAY
Gallagher, Burchenal, and Pettengill are still stunned over the
fact they're alive.
BURCHENAL
There shouldn't be enough oxygen on Mars to do this.
PETTENGILL
We never even got close to a breathable atmosphere. Then the levels
started to drop and the sensors all died. I don't understand what's
going on here.
Gallagher is rummaging through the wreckage of the Hab. It's been
devastated.
PETTENGILL
Wattya lookin' for?
Gallagher unearths a tangle of wire and chewed-up circuits.
GALLAGHER
This.
He tosses it aside. It's worthless.
GALLAGHER
It used to be the radio. I don't mean to piss on the parade, guys,
but no one knows we're here. Don't you see? The good news is we
can breathe. The bad news is, unless we can tell somebody, now we
get to starve to death. The only mission left is rescue.
INT. ARES - FLIGHT DECK
The schematic she sent back to Earth is on the screen here as well.
The ship is fucked-up bad.
SKAVLEM (V.O.)
The ground crew's dead, your orbit's unstable, and you're gonna
burn in less then a day and a half.
(beat: then)
Let's get you home.
EXT. HAB - DAY
The three of them rummage through the ravaged structure. News isn't
good.
BURCHENAL
We could head back to the lander, try to make something work there.
PETTENGILL
(won't make it)
It's six hours back.
GALLAGHER
And it all ran through the main computer which was half-fried and
dropped from a great height.
Shakes his head no. That ain't gonna help. Then Burchenal, of all
things, grins.
BURCHENAL
Gotta think about this scientifically. There's another radio. Two
kilometers from here.
GALLAGHER
I didn't see any stores on the way over. I miss a Radio Hut?
BURCHENAL
We sent it here. Twenty years before you were born. In 1997. Think
where we are...
PETTENGILL
(gets it)
We're right over the edge from the Ares Vallis. The Sojourner site.
The HHCs are yanked out.
PETTENGILL
There was a high-density ridge ringing the valley. The algae never
took there.
Gallagher checks his watch.
GALLAGHER
We still might have a chance this pass. We wait long...
They start to run towards a ridge to west. Sun hangs low in the
sky. Only an hour or so of day left.
CUT TO:
GALLAGHER, PETTENGILL AND BURCHENAL
with a goofy look on their faces. Like kids at Disneyland the first
time. They're standing there looking at -
SAGAN/SOJOURNER SITE
The little rover. All those damned named rocks. Our first big visit
to Mars. The reverie is over quickly. Gallagher tosses down his
bag of tools. Walks over, kneels beside Sojourner (the rover).
GALLAGHER
Sorry about this.
He pats it once and starts POWER-SCREWING off the cover. Tosses
another tool to Burchenal. Re
the Sagan lander -
GALLAGHER
Rip the panels off everything around the aerial.
(then)
It's a fifty-year-old off-the-shelf computer radio modem on a frequency
that we're not using for this mission.
PETTENGILL
Then why are we bothering?
GALLAGHER
Cause I'd rather die doing something than just sitting there.
CUT TO:
EXT. SOJOURNER SITE - DAY
Gallagher has cobbled together a radio from 50-year-old parts. Pettengill
holds the solar panels at the sun while Robby carefully removes
one of his two suit-radio microphones. Checks with a meter, then
solders it onto his jerry-rigged radio.
GALLAGHER
Testing, testing...
He adjusts a tiny pot as he continues to call out. A green LED comes
on, flickering with his voice.
BURCHENAL
Does it work??
GALLAGHER
Well, the little green thing lights up. I don't know if it works...
(into mike)
This is Ares ground crew, come back. This is Ares ground crew,
do you copy?
We PULL BACK WIDER AND WIDER. They are so damn alone.
INT. ARES - FLIGHT DECK - DAY
Various return scenarios are flickering on different vid screens.
SKAVLEM (V.O.)
Okay, scenario three calls for you to lock out systems 17, 22 and
40.
Kate tries. 40 freeflows, doesn't lock out.
BOWMAN
No joy.
She resets everything.
BOWMAN
Maybe we're trying to be way too subtle. Why don't we just jettison
the damn tank?
SKAVLEM (V.O.)
Because the margins for error are so small. There's enough fuel
to get you home, then if you don't sneeze. It makes us nervous.
BOWMAN
You want nervous...
INT. MISSION CONTROL
Over in the corner, Schlissel is listening to something on his headset
that's blowing his mind. He starts waving three fingers frantically
at Skavlem and Russert. They don't respond fast enough for him.
He reaches over and patches someone into the comm link. A new voice
breaks into the conversations. The accent's Australian.
OZZIE (V.O.)
Right, right. Commander Katherine Bowman?
RUSSERT
(peeved)
This is a restricted, encrypted frequency. Who is this?
OZZIE (V.O.)
(unperturbed)
This is Hank Osterbee in Canberra. Deep Space Network, mate. I've
got a call for you.
INT. ARES - FLIGHT DECK
BOWMAN
A call for me?
OZZIE (V.O.)
Right. From the surface of Mars. I'm routing it through. Direct
frequencies follow.
There's CRUNCH OF STATIC, then -
GALLAGHER (V.O.)
Commander Bowman?
BOWMAN
You're alive?? You're alive?!
EXT. SOJOURNER SITE (MARS) - DAY
GALLAGHER
We're at sixty percent. Lieutenant Santen and Bud are gone.
(beat: then)
Oh, and by the way, we can breathe.
INT. MISSION CONTROL - NIGHT
SKAVLEM
You can breathe??!
GALLAGHER (V.O.)
Not real well, but yeah.
(then)
Hey, Kate...We've changed our mind. Get us outta here. We'd like
to come home.
If the room was at a standstill before, now it's frozen. Is there
hope?
SKAVLEM
If they can breathe, can we live there?
LOWENTHAL
No. Ninety percent of the algae's gone. It's some kind of freak
anomaly. Mars is a dying planet. Just like Earth.
RUSSERT
They're breathing. It coulda worked. Dammit, it coulda worked...
Then through the cacophony comes one voice.
SCHLISSEL
It doesn't matter. They're going to die tonight anyhow. In an hour,
the sun sets on Mars. It's going to be minus 140. They cannot survive
in the open. They're going to die.
Yow. Everyone shuts up. It's ugly but true.
LOWENTHAL
He's right. You can walk across the South Pole, long as you stay
moving and you're wearing insulating clothing - the suits'll work
- you can stay warm. But once they stop moving, without shelter,
they're gonna die.
SCHLISSEL
Her orbit could degrade at any time. She could auger in and burn
while they chat about old times and freeze to death. It's a waste.
We should just bring her home.
Skavlem doesn't love it, but -
SKAVLEM
We can get a free return trajectory now. She's got enough food
and water to bring one person back.
Russert not happy at all, but -
RUSSERT
You're not wrong.
Nods to Skavlem...
SKAVLEM
Commander, this is Mission Control.
INT. ARES - FLIGHT DECK - DAY
BOWMAN
No.
SKAVLEM (V.O.)
Ma'am?
BOWMAN
I'm not stupid, John, I know what the question is. I'd ask it if
I was there. And the answer is no. So let's move on.
(then)
By my calculations, if I ditch my reserve tank now and commit to
a three-second apogee burn, I stabilize my orbit for another eighteen
hours. I'd like someone to check the numbers as my apogee's in seven
minutes.
INT. MISSION CONTROL - NIGHT
Russert has to grin. It's gonna drive him crazy and it's exactly
what he'd do. Before any of them can bitch and whine -
RUSSERT
Come on, people, you heard the woman, let's get on it.
The techs begin calculating madly.
EXT. MARS SURFACE - DAY
The crew is coming down a rise toward the Hab. Carrying the radio.
Walking back quickly. Sun is flat over the horizon. Shadows are
long, already getting cold. You can see their breath.
BOWMAN (V.O.)
There's some concern at Mission Control. About the weather.
GALLAGHER
(deadpan)
It's gonna rain?
BOWMAN (V.O.)
It's gonna get a little chilly.
GALLAGHER
I could see that. It's dropped about fifty degrees in the last
half hour. We figure a hundred below fairly soon.
INT. ARES - FLIGHT DECK - NIGHT
Bowman is doing her best to keep the tone light. But she's gotta
know whether or not he thinks he's gonna live or die.
GALLAGHER (V.O.)
It would have been nice to be in the Hab. And there ain't no other
motel to check into.
BOWMAN
You have a plan? Any thoughts on how you might...stay alive?
EXT. HAB (MARS) - ALMOST SUNSET
They're back at the Hab now. We can't quite tell what's going on,
but Burchenal and Pettengill are busy doing something noisy and
furious in the b.g. Crashing, bashing, breaking. Burchenal flicks
open an entrenching tool. Thumbs a button, edge whizzes by like
a tiny chain saw. Chews through something and...
GALLAGHER
Yeah...
Behind Gallagher is a whoooosh of flame as Pettengill gets the debris
he's piled in the middle of the Hab to light. He's got stacks of
additional fuel nearby.
GALLAGHER
We're gonna have a 75 million dollar campfire.
EXT. HAB (MARS) - 20 MINUTES LATER
The sun sets. First sunset on Mars man has seen. Red upon red upon
red. Fire burns behind them. Sky turns black. Fast. A billion stars.
And then a METEORITE begins to fall. It's huge. It's red. It EXPLODES.
GALLAGHER
What the hell was that?
BURCHENAL
She ditched the 'B' tank. She must be figuring there's an even
chance we'll live through the night.
EXT. SPACE - NIGHT
The Ares lights up and burns for three long seconds. And off.
INT. ARES - FLIGHT DECK - NIGHT
Bowman checks the gauges. Eight liters was burned.
BOWMAN
Hell, what's eight liters?
(answers herself)
It'll either save their lives or I've screwed up getting home and
I'll spend the next three hundred years circling this planet.
EXT. HAB - NIGHT
Burchenal pokes at the flames. They're spread out and low. Flickering
yellow and blue.
BURCHENAL
I think we'll make it through. There's so little O2, this is gonna
burn real slow.
Gallagher picks up a piece of scrap, about to feed it into the flames,
then stops, examines it by the light of the fire. It looks like
someone took a rasp to it. He gets up, turns on a suit light and
looks over the remaining ribs of the structure.
GALLAGHER
What happened to this place? Everything but the titanium supports
were just chewed up. Could a dust storm've done this?
BURCHENAL
No prevailing pattern to the damage. I don't know what could've
done it.
Nor does it matter right now. They sit back around the fire and
relish the warmth. Out in the darkness, past a rise, something catches
Robby's eye. A flash, a reflection. Of the fire? On what? And then
it's gone. He doesn't bother to mention it. Writes it off.
TWO HUNDRED YARDS AWAY
Behind a hill, AMEE crouches in the dark. Pops up again, looks over,
sees the three men and the fire. Lowers back down - you'd swear
she was thinking - then silently ambles away.
BACK AROUND FIRE
The weird tableau of three men in spacesuits around a campfire on
Mars. A moment then -
GALLAGHER
You still think we had any business coming to Mars? Screwing with
stuff? Trying to spread life? You think maybe God's teaching us
some hardass lesson?
Pettengill just makes some kind of weird gulping noise and turns
away. They let him be.
BURCHENAL
God? You talked to Chantilas too much on the trip over. I don't
mean to burst your bubble, but God's the retreat of the ignorant,
the weak and the hopeless.
GALLAGHER
I bet you don't believe in Santa. And you're no fun at all at Christmas.
(then)
Not everything gets an explanation you can write down as a formula.
BURCHENAL
Son, I'm a scientist. A geneticist, as good as they come. I write
code, just like a hacker. Four elements, A.G.T.P., in different
orders, back the genome. And your kidneys work or you grow a sixth
finger. I line up unconscious atoms and they give rise to conscious
beings. It's like if I stacked up a bunch of rocks in the right
order and they become a dog. I do that. I chose when, I chose where,
I chose how many fingers. I just don't hold with mystical explanations
for science, with organized religion, buildings with different symbols
on 'em. You spot God, you lemme know. Till then, I put my trust
in my three Ph.D's.
(then)
But I think life's an amazing thing. And I believe that when you
get it you should grab it with both hands and live as much of it
as you can. Which is why I am not happy about losing it on this
damn ugly planet.
Burchenal shuts his eyes. We PUSH IN ON Gallagher looking rueful
and...
FLASHBACK - INT. ARES - HYGIENE SPHERE - DAY
SUPERIMPOSE: MISSION TIME: DAY 32
Gallagher comes in. His timing, depending how you look at it, is
very good or very bad. Bowman steps out of the shower. To dry off.
It's too late for Robby to stop or recoup. He has to tough it out
and try to act like an adult. Bowman sees his discomfort. She's
amused.
BOWMAN
It's okay. I had brothers.
GALLAGHER
I have two sisters.
(gives up)
Neither of them were this fine.
Now she colors.
BOWMAN
The only way this works, is if we both make believe it doesn't
matter.
GALLAGHER
I tried. I really tried.
(then)
Maybe I should go fix something.
BOWMAN
(laughing now)
Maybe you should.
He hesitates, leaves. She starts to vacuum dry her hair.
END OF FLASHBACK
EXT. CAMPFIRE (MARS) - NIGHT
Gallagher's half filled with regret, half annoyed with himself.
Sighs, shuts his eyes, tries to get some sleep.
INT. MISSION CONTROL - NIGHT
Place is ragged
coffee on the workstations, techs as unshaven and beat as the crew
on Mars.
RUSSERT
All right, people, we bought ourselves another eighteen hours in
orbit. The crew's burning pretty much what we've got on the surface
so they don't freeze solid. So whatever we can come up with...
LOWENTHAL
...has got to work before the sun sets again tomorrow and they
freeze to death anyhow.
RUSSERT
What else is on Mars?
SCHLISSEL
Rocks. Sand.
RUSSERT
The janitor just built a radio out of a fifty-year-old Rover mission.
Now, what else is on Mars?
Mars maps come up on all their PIMs. There are things on the surface.
Marked with various symbols. Leftovers from other missions.
SKAVLEM
We sent a dozen probes even before the biologics started up. Eight
were return missions.
LOWENTHAL
And they're back.
SKAVLEM
There's a Viking lander...
SCHLISSEL
2,200 kilometers away.
Silence. They all stare at the PIMs. And then Schlissel turns to
a nearby TECH -
SCHLISSEL
S.Y.F.
TECH
Slap your forehead.
SCHLISSEL
We're not the only people who sent stuff to Mars.
Other overlays come up on the maps. New colors. New symbols.
SKAVLEM
The Twenties were nothing but unmanned sample return missions.
Everyone wanted to bring back a bucket of Mars rocks.
They find something near the Hab.
SCHLISSEL
There was Euro-Malaysian sample return mission 2018.
TECH
Checking...
LOWENTHAL
(knows)
It blew up on attempted return.
Looking further afield, they find something else.
TECH
It ain't close, but there's an Uzbecki S.R.M. that failed to launch.
SCHLISSEL
(argh)
An Uzbecki probe from 2032.
RUSSERT
Is it viable? Can we get plans?
SCHLISSEL
It was built at the Cosmos factory in Garagin in 2031. (there's
more)
The factory closed eight years later. And then it burnt down.
All right, that's the end of that. And then Schlissel spots a detail
that means something to him.
SCHLISSEL
It was designed by Aleksandr Ivanovich Borokovski. He was the last
of the greats in the Russian space program.
RUSSERT
Is he still alive??
Schlissel's PIM flickers madly as he mutters at it.
SCHLISSEL
There's no closing date on his bio. He'd be in his seventies.
RUSSERT
Find him. Somebody get on the line to Kazakhstan.
LOWENTHAL
This is insanity. A thirty-year-old lander built in a factory that
doesn't exist anymore.
TECH
Found him!
SCHLISSEL
He emigrated. He runs a deli in Brooklyn.
INT. MISSION CONTROL - NIGHT
Low hum of conversation, a bunch of the workstations are vacant,
techs sleeping in cots nearby. BOROKOVSKI, in his best suit, 20
years old, comes in led by two NASA flunkies. Unhooks his filtration
mask. Vindicated.
BOROKOVSKI
All right, I am Borokovski. I am here.
EXT. HAB (MARS) - PRE-DAWN
Sky's beginning to grow light. Last of the fire flickering out.
Nothing left of the Hab but a few metal ribs.
Gallagher stirs. Stiff from sleeping on the ground. Burchenal and
Pettengill follow. They've lived through the night. Gallagher walks
off twenty paces. When we see him again, he's unlocked the top and
bottom of his suit and dropped the trousers to his knees.
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